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Claire Roger

Earthenware, nerikomi

Ensemble de 6 pièces n24

Earthenware, nerikomi
Each element mesures H13 et sides of 16cm
SOLD

Boule n7

Earthenware, nerikomi
H17, diam 17 cm
SOLD

Pon n2

Earthenware, nerikomi
19x24x5,5 cm
SOLD

Poir n13

Earthenware, nerikomi
29x14x8 cm
840 €

Door n3

Earthenware, nerikomi
42x16x9,5 cm
1820 €

Gondole n10

Earthenware, nerikomi
H16xL44xP10,5 cm
1680 €

Bôtel n6

Earthenware, nerikomi
42,5x13x7,5 cm
1820 €

Anov n9

Earthenware, nerikomi
39×32,5×5 cm
SOLD

Robe n11

Eathenware, nerikomi
26,5x14x8 cm
SOLD

Anneau n5

Earthenware, nerikomi
Diam 32,5 x P 4 cm
840 €

Cube n15

Earthenware, nerikomi
20x20x20 cm
2520 €

Bôtel n12

Earthenware, nerikomi
36x12x7 cm
1400 €

Cubes M/16 et S/17

Eathenware, nerikomi
Cube M : 11x11x11 cm, SOLD
Cube S : 9x9x9 cm, SOLD

Cylindre n4

Earthenware, nerikomi
H23, diam 8,5 cm
700 €

Étoile n19

Earthenware, nerikomi
Diam 19 x P 3,5 cm
308 €

Born in 1957, Claire Roger has developed a distinctive artistic language through a highly personal technique. Her sculptural works evoke the art of ancient civilisations, while their meticulously crafted decorative compositions conjure up enigmatic scenes and landscapes, left deliberately open to the viewer’s interpretation. The artist never discloses the story or narrative that accompanied her in the making of a particular work, allowing each piece to retain its own aura of mystery.

It is only by lingering over the extraordinary detail of these imaginary worlds that one discovers a remarkable aspect of Roger’s practice: the decoration is not applied to the surface of the object, but runs through its very structure. The artist works with fine layers of clay, coloured throughout, which she cuts into slices before meticulously rearranging and juxtaposing them. This painstaking process creates patterns that permeate the body of each piece. Often taking the form of vessels, containers, vials or bottles, Roger’s works appear to hold something within them — secrets, memories and wondrous tales. Their enclosed forms invite the viewer to imagine what might lie beyond the visible, transforming each object into a vessel for an unseen narrative.

“My work is a graphic adventure developed from clay coloured throughout its mass. Its uniqueness lies essentially in the simultaneous treatment of colour, graphic expression and volume.

This graphic language draws its source from the thickness of the material.

It engages with notions such as stratification, interweaving, superimposition, juxtaposition, repetition and modulation…

I like my work to unfold over time.”