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Mélanie Broglio

Stoneware and earthenware, multiple firings

Collier Écumes 2

Glazed earthenware, multiple firings
Approx. 104×58 cm
2400 €

Collier Écumes 1

Glazed earthenware, multiple firings
Approx. 100×65 cm
2200 €

Vase Oiseaux

Glazed earthenware, multiple firings
26x26xH32 cm
1200 €

Vase Écumes n5

Glazed earthenware, multiple firings
23x23xH44
1800 €

Vase Écumes n6

Glazed earthenware, multiple firings
30x30x54 cm
2200 €

Vase Écumes n7

Glazed earthenware, multiple firings
30x30x67 cm
2800 €

Vase Écumes n8

Glazed earthenware, multiple firings
30x30xH65 cm
2800 €

Coupe n1 beige

Glazed stoneware, multiple firings
47x40xH32
2800 €

Coupe n2 kaki bleue

Glazed stoneware, multiple firings
45x45xH30 cm
2800 €

Coupe n3 Kaki Brune

Glazed stoneware, multiple firings
40x38xH27 cm
2200 €

Coupe n4 Jaune Rose

Glazed stoneware, multiple firings
35x35xH25 cm
1600 €

For Mélanie Broglio, discovering ceramics marked a joyful culmination after several “preparatory” years exploring various mediums: mosaic, oil painting, steel, resin… She first encountered clay in 2012 and enrolled in the professional program at the Vallauris School of Fine Arts, followed by the “Young Creators” section. Her previous experience in drawing and large-format painting immediately sparked the desire to sculpt the human form on a grand scale.
She trained independently in her studio, working close to her kilns to develop the techniques required for creating large-scale pieces (weighing up to 100 kg), which demand a deep understanding of clay’s behavior and limitations. To form, she adds the intricate work of color—layering it like a painter would apply glazes, but with the specific demands of ceramic glazing and its hundreds of tests on earthenware, stoneware, and porcelain.
Driven by curiosity and a desire to build a broad knowledge and vision of ceramics for greater creative freedom, she also practices mold-making, wheel-throwing, and incorporates steel and rope into her work.

But alongside the excitement of technical exploration lies the essential need to remain grounded in an artistic approach… Mélanie Broglio grew up under the Mediterranean sun, in the shadow of its rich history. Her sculptures and decorative objects bring a sense of calm and sunshine into living spaces. In her large wall-hung necklaces, each bead is a sculptural piece in itself. Her work blends the exuberance of Italian Baroque with vegetal and organic forms, reimagined ancient pottery, and more architectural shapes. This fusion gives rise to a poetic universe.
The richness of Mediterranean aesthetics—between land and sea—is also reflected in her use of color. Her creations follow several lines of design to suit different interior spaces: glazes in deep blues evoking frothy sea foam, glossy greens reminiscent of inner forests, vibrant matte powders, or even raw, unglazed clay that she lets speak for itself—like terracotta.

In these troubled times, contemporary society often pushes aside spaces for contemplation and subjective experience. For Mélanie Broglio, art can reclaim those spaces. Her work exists behind the noise of our lives, in those quiet zones we rarely reach.